Skip to main content

Entomological Elements - Mixed Media Sculpture


Entomological Elements hung in Timeless Textiles Gallery. 
My latest big piece of work is "Entomological Elements" - let's call it EE ... It is a mixed media sculpture in response to the theme "Elements" for a current exhibition by the Newcastle Creative Embroiderers and Textile Artists. If you a regular reader of this blog or and Empress Wu Designs Facebook follower, you probably know that my thing is "stick dolls".... dolls made with sticks. EE is just an extension of those , with a piece of local driftwood as its base.

EE is also  a celebration of the natural elements depicted by insects from different parts of the world.
 EARTH- Common Black Ground Beetle (Pterostichus melanarius) - Europe/Eurasia
AIR - Blue Ulysses Butterfly (Papilio Ulysses) - Australia
WATER- Golden winged skimmer dragonfly (Libellula auripennis) - Central/North America
FIRE - Scarlet Fire Beetle (Pyrochroa coccinea)- Europe

Common Black Ground Beetle - close up : Wilma Simmons 
Blue Ulysses Butterfly - close up : Wilma Simmons 
Golden winged skimmer dragonfly - close up : Wilma Simmons 
Scarlet Fire Beetle- close up: Wilma Simmons 
Materials: Paper, paper clay, found driftwood and twigs, fabric, thread, wire, paint and sealant.






Techniques:
The head is sculpted from polymer clay and paper clay and twigs. As shown, I sculpted a fairly basic head in polymer clay and cured it before adding features and the twigs from the skull with paper clay. Once the whole piece was dry, it was then covered in cheesecloth ( or kitchen muslin) and painted with acrylic paint and attached to the drift wood. I prepared the driftwood, first by washing it, and then placing it in the freezer for about 48 hours (to get rid of any of the real bugs and beetles).
The beetles were made from foil armatures covered in fabric and bound with sewing and embroidery stranded cotton , with thread covered wire. The butterflies are machine stitched with wire as are the dragonflies although their bodies are a similar construction to the beetles.
The fabrics used are both commercial and hand dyed cottons


 “Move swift as the Wind and closely-formed as the Wood. 
Attack like the Fire and be still as the Mountain.” 



Comments

Popular posts from this blog

Too Precious to Waste

 Stitched tea bags/ old doily "tea lights" - Wilma Simmons  More than a year ago, a decision was made.  The annual exhibition of NCEATA ( Newcastle Creative Embroiderers and Textile Artists) 2015-2016 will have the theme "Mottainai". Mottainai in Japanese refers to more than just physical waste (resources). It is even used to refer to thought patterns that give rise to wasteful action. Grammatically, it can be used in Japanese as an exclamation ("mottainai!") or as an adjective phrase ("it feels mottainai"). There is no plural form. The collection of mottainai things could be called mottainai koto ( もったいない事 ? ). As an exclamation ("mottainai!") it means roughly "what a waste!" or "Don't waste." [2]  A simple English equivalent is the saying "waste not, want not." A more elaborate meaning conveys a sense of value and worthiness and may be translated as "do not destroy (or lay waste to) that

Fish and Sticks : Art Dolls

This week I've been working on fish and sticks ....  The sticks are the message stick art dolls which were very popular, attracting some attention and a few orders at the Wise Women exhibition. Each of the message stick dolls are from the Wise Women series, each with her own personality and  message of wisdom, handwritten on a handmade timber tag. I gather the sticks during my walks around my neighbourhood and the tags are made from special bits of timber, some collected by me or  my husband or from off cuts gifted to us  from another doll making friend whose husband makes bagpipes. These dolls start off very simply with a wrap around a stick, in the general shape of a body. 'Naked" message stick dolls - strips of wadding wrapped around found sticks.   Then I usually wrap other layers of fabric, wool, and/or fibres, over which I do some simple embroidery. I sculpt  or mould small face masks for these dolls. I really like using "sari ribbon" as wrapping str

Connecting and Interpreting : Story #4 from the ATASDA Collaborative Golden Cape

  Connecting and Interpreting : Story #4 from the ATASDA Collaborative Golden Cape  Background : This year, 2024, ATASDA ( Australian Textile Arts and Surface Design Association) is celebrating its Golden Anniversary. The Collaborative Golden Cape is a celebratory garment representing 50 years of creativity in textile arts. Members of ATASDA have joined together to create a beautiful cape comprising of 50 art panels inspired by 50 past ATASDA artworks. Each contribution to the Cape is a personal response to its corresponding historic artwork and its story. The Golden Cape, embellished with these beautiful cameos of textile art and surface design, will travel and be displayed throughout Australia. Parrwang:  Jo-Anne Britt drew inspiration for her contribution to the cape from the 1987 work by Bobbie Winger . This was a dramatic wearable textile artwork, entitled , "Dancing Cloak for a Currawong". The limited colour palette and the "feathery" form of the cloak reall